Challenges for the Graphic Communication and Media Technology

Izazovi za grafičku komunikaciju i medijsku tehnologiju

Dr. Anastasios E. Politis

Sažetak

Strukturne promjene u širem medijskom prostoru, a posebice u tradicionalnoj grafi čkoj tehnologiji i tiskarstvu donose nove izazove u izradi nastavnih planova i programa, modula i kolegija ponuđenih od strane Odjela grafi čke tehnologije diljem svijeta. Sljedeći taj trend, grafi čko obrazovanje i obrazovanje medijske tehnologije trebalo bi se preorijentirati, uzimajući u obzir sve čimbenike koji utječu na samu edukaciju i proces učenja. Prezentacija će se usredotočiti na trendove, razvoj i zahtjeve za razvojem grafi čke umjetnosti, medija i tiskanih medija te potrebe za obrazovanjem i obukom. Nadalje, rješavati će se i inovativna pitanja poput okruženja za učenje, pristupa ishodima učenja, EKO i novim klasifi kacijama u visokom obrazovanju. U prezentaciji će se također pokušati obratiti pozornost na rješavanje posljedice uzrokovanih ovim izazovima, kao i načinima na koje Odjeli grafi čkih i medijskih tehnologija i Instituti mogu reagirati na iste.

Abstract

The structural changes in the wider media landscape and in particular in the traditional graphic arts technology and printing fi elsd cause new challenges in the design of the curricula, modules ans courses off ered by the Departments of Graphic Arts Technology worldwide. Following this trend, Graphic arts and media technology education need to reorientate, taking under consideration all factors aff ecting the education it self and the learning process. Th e presentation will focus on trends, developments and requirements for the evolving graphic arts and media and print media industry and the needs for education and training. Further, innovative issues will be addressed such as learning environments, the learning outcomes approach, the EQF and the new classifi cations of the Higher Education. In the presentation eff ort will be given to address the implications caused by these challenges and these challenges as well as ways for reaction by the Graphic arts and Media Technology Universities and Institutes.
Patrik Ervells latest collection is ironically titled “Software”ADIDAS ORIGINALS TUBULAR SHADOW. In the notes from the presentation, Ervell says he was interested in developing tension between nostalgia and sci-fi,NIKE ZOOM WINFLO 3 and even included 90s cyberpunk amongst his influences. Ervell developed this point of view by creating an imaginary software company called Idegen software systems. He then re-appropriated the company’AIR JORDAN XXXI MENs logo in several of the collection’s garments. Elsewhere,MBT TARIKI MEN mohair coats with oversized lapels made an appearance alongside mock neck tees,NIKE AIR JORDAN RETRO 5 police-inspired ribbed sweaters,MBT FORA GTX WOMEN flight bombers, and polyurethane leather coats. The setting was also suitably dystopian, and the resulting ambiance was something akin to if the creators of Deutschland 83 and Hackers met up and decided to create a collection… We mean that as a compliment.Yesterday afternoon,JORDAN CP3 IX MEN artist JR spent the day working on his latest collaborative piece with Daniel Arsham in Greenpoint,NIKE AIR MAX 90 Brooklyn,MBT KIMONDO GTX MEN NYC. Connecting the lines between art, architecture, dance and theater, Daniel Arsham has been known to subvert existing architectural structures in unconventional,NIKE CLASSIC CORTEZ NYLON playful ways; confusing and confounding the expectations of space and form. Source: Street Art News .