STVARANJE HOLOGRAMSKIH EFEKATA ZA VIDEO U MAYI I AFTER EFFECTSU

CREATING HOLOGRAPHIC EFFECTS FOR VIDEO IN MAYA AND AFTER EFFECTS

Andrija Bernik, Zvonimir Sabati, Valentina Bregović

Sažetak

Tema rada je izrada hologramskih efekata za video uz kombinaciju programa Autodesk Maya i Adobe After Eff ects. Glavna 3D scena na kojoj se primjenjuju efekti izrađena je u programu Autodesk Maya, a potom je renderirana, odnosno pretvorena u 2D slike. Glavni dio ovog rada odvija se u programu Adobe After Eff ects gdje nastaju hologramski efekti. U radu je ukratko objašnjeno što je hologram, kako nastaje, koje vrste hologram postoje i opisan je postupak izrade 3D scene i nastajanje hologramskog efekata. Rezultat cjelokupnog opisanog postupka je kratak video koji prikazuje dobiveni hologramski efekt.

KLJUÄŒNE RIJEÄŒI: 3D MODELIRANJE, ADOBE AFTER EFFECTS, AUTODESK MAYA, HOLOGRAM, HOLOGRAMSKI EFEKTI

Abstract

This paper discusses creation of holographic eff ects for video with a combination of Autodesk Maya and Adobe After Eff ects. Th e main 3D scene where we apply eff ects is produced with program Autodesk Maya and then rendered, converted into 2D images. Th e main part of this work takes place in Adobe After Eff ects, where holographic eff ects are created. Th is paper briefl y explains the principle of operation of both programs, their application, and it describes the process of making 3D scene and generation of holographic eff ects. With this paper comes short audio video clip that shows described holographic eff ects. Th e result of the whole described process is a short video that shows the resulting holographic effect.

KEYWORDS: 3D MODELING, ADOBE AFTER EFFECTS, AUTODESK MAYA, HOLOGRAM, HOLOGRAPHIC EFFECTS
Patrik Ervell’s latest collection is ironically titled “Software”ADIDAS ORIGINALS TUBULAR SHADOW. In the notes from the presentation, Ervell says he was “interested in developing tension between nostalgia and sci-fi,NIKE ZOOM WINFLO 3” and even included ‘90s cyberpunk amongst his influences. Ervell developed this point of view by creating an imaginary software company called Idegen software systems. He then re-appropriated the company’AIR JORDAN XXXI MENs logo in several of the collection’s garments. Elsewhere,MBT TARIKI MEN mohair coats with oversized lapels made an appearance alongside mock neck tees,NIKE AIR JORDAN RETRO 5 police-inspired ribbed sweaters,MBT FORA GTX WOMEN flight bombers, and polyurethane leather coats. The setting was also suitably dystopian, and the resulting ambiance was something akin to if the creators of Deutschland ’83 and Hackers met up and decided to create a collection… We mean that as a compliment.Yesterday afternoon,JORDAN CP3 IX MEN artist JR spent the day working on his latest collaborative piece with Daniel Arsham in Greenpoint,NIKE AIR MAX 90 Brooklyn,MBT KIMONDO GTX MEN NYC. Connecting the lines between art, architecture, dance and theater, Daniel Arsham has been known to subvert existing architectural structures in unconventional,NIKE CLASSIC CORTEZ NYLON playful ways; confusing and confounding the expectations of space and form. Source: Street Art News .