Usporedba kanala na relaciji boja-komplementarna boja kod portretne fotografije za crvenu boju

Ivana Pavlović1, Miroslav Mikota1, Nika Svilar1,,
1Sveučilište u Zagrebu Grafički fakultet, Getaldićeva 2, Zagreb, Hrvatska


Digitalni zapis fotografske slike, tj. informacije o bojama, definiran je kroz vrijednosti plavog, zelenog i crvenog kanala zapisa. Dosadašnja ispitivanja dokazuju mogućnost upravljanja percepcijom fotografske slike, primarno portretne, promjenama pojedinog kanala. Pri tome se kod portretne fotografije pokazalo da je za upravljanje percepcijom fotografske slike optimalno mijenjati vrijednosti crvenog kanala u granicama zadržavanja ikoničnosti. U radu se ispituje usporedba promjena kanalima koji definiraju komplementarnu boju u odnosu na promjenu vrijednosti crvenog kanala kod portretne fotografije.
Ključne riječi: Fotografija, portret, kanali zapisa, digitalni zapis, komplementarna boja

Comparison of channels in relation color-complementary color on the portrait photography regarding red color


Digital recording of the photographic image, i.e., color information, is defined by the value of blue, green and red channels records. Recent research shows the ability to manage the perception of the photographic image (particularly portrait) with changes in the individual channels. In portrait photography was shown that for the managing with the perception of the photographic image optimally is to change the value of red channel within the retention of the photo iconicity. This paper examines the comparison of changes of channels that define the complementary color with respect to the change in the value of the red channel at portrait photography.
Keywords: Portrait, Photography, Channels Records, Digital Record, Complementary Color

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