Tisak dvostruke slike u reprodukciji umjetničkih djela

Igor Čaljkušić, Mario Barišić

Reprodukcija umjetničkih dijela oduvijek je predstavljala zahtjevan tiskarski izazov zbog potrebe za sto vijernijom kolorističkom reprodukcijom. Zahvaljujući spoznajama koje donosi InfraRed teorija o svojstvu bojila da emitiraju u NIR (Near Infra Red) području provedeno je istraživanje s ciljem reproduciranja dvostruke, InfraRed slike kao i slike iz vidljivog spectra (VS). Istraživanje je provedeno s ciljem utvrđivanja mogućnosti i prednosti koje teorija Infraredizajna nudi kod reproduciranja umjetničkih djela. Koje mogućnosti otvara umjetnicima kod realizacije umjetničkih djela te kako se spoznaja o dualnosti slike u području NIR i VR da iskoristiti kao alat kod utvrđivanja vrste, porijekla te vjerodostojnosti umjetničkog djela u umjetničko povijesnom kontekstu i kakve sve posljedice i doprinose moze imati u konzervatorskoj-restauratorskoj praksi.

Printing of double images in reproducing works of art

Igor Čaljkušić, Mario Barišić

Reproducing works of art has always been a demanding printing challenge because of the necessity to produce a coloristic reproduction that is as true to the original as possible. Owing to the knowledge brought by the InfraRed theory on colorant ability to emit in the NIR area (Near Infra Red), research work has been carried out with the goal to reproduce a double, InfraRed image as well as an image in the visible specter (VS). The research work was carried out with the goal to determine the possibilities and advantages that the Infraredesign theory offers in reproducing works of art, what possibilities it provides for the artists in producing works of art, and how the knowledge on image duality in the NIR and VR areas can be used as a tool in determining the category, origin and the authenticity of a work of art in the artistic and historical context, and what consequences and contributions it can have in the conservation/restoration practice.

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